Born in Côte d'Ivoire to Malian parents, Diawara moved to France to pursue acting, appearing in Cheick Oumar Sissoko's 1999 feature film La Genèse, Dani Kouyaté's popular 2001 film Sia, le rêve du python, in the internationally renowned street theatre troupe Royal de Luxe, and played a leading role in the musical Kirikou et Karaba. She later took up the guitar and began composing her own material, writing songs that blend Wassalou traditions of Southern Mali with international influences. Noted for her "sensuous voice," she has performed and recorded with Oumou Sangaré, AfroCubism, Dee Dee Bridgewater (on Red Earth: A Malian Journey), and the Orchestre Poly-Rythmo de Cotonou. The EP Kanou was released May 9, 2011, and her debut album Fatou from World Circuit Records was released in September 2011. (Nonesuch Records released the Kanou EP digitally in North America on September 27, 2011, and the album Fatou on August 28, 2012.)
The true identity of Ludwig van Beethoven, long considered Europe’s greatest classical music composer. Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe--making Spain their capital--for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let's start with what some of Beethoven's contemporaries and biographers say about his brown complexion.:
” Frederick Hertz, German anthropologist, used these terms to describe him: “Negroid traits, dark skin, flat, thick nose.”
Emil Ludwig, in his book “Beethoven,” says: “His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].”
Fanny Giannatasio del Rio, in her book “An Unrequited Love: An Episode in the Life of Beethoven,” wrote “His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.”